Archive for April, 2011

Welcome to Hedgebrook’s Much-Anticipated Blog!

Friday, April 29th, 2011

Several years ago, Hedgebrook friend, local writer and owner of Whidbey Island’s iconic Clyde Theatre, Lynn Willeford, asked me point blank (in true Lynn fashion), “When is Hedgebrook going to have a blog? I’m interested in knowing what’s on your writer’s minds.”

Lynn was, characteristically, ahead of the curve with her vision! But she planted a seed in my mind about how we could begin to communicate the growing impact of Hedgebrook with our community. And not just on the impact on the writers who come here, but on the world-at-large because of those writers and the work they produce here.

In short: the idea that what happens at Hedgebrook doesn’t stay at Hedgebrook. (more…)

There’s No Place Like Hedgebrook

Friday, April 29th, 2011

14 years later, on a teasingly sunny newly spring day, sitting at a desk in Hedgebrook’s office, I’m remembering my first trip out to Hedgebrook. I remember the feeling traveling over here from Seattle, where I was then the Literary Manager/Dramaturg at ACT Theatre. We were partnering with Hedgebrook on producing the first annual (then called) ACT/Hedgebrook Women Playwrights Festival, which, in two weeks, will now be in its 14th year. I remember then my curiosity, excitement, anticipation…venturing into the unknown that was Hedgebrook.

14 years later, on this teasingly sunny day, I remember boarding the ferry, and feeling an energy shift midway out on the water as the ferry approached Whidbey Island. A calmness set in, a peacefulness, a pause. I remember approaching the farm, riding through Hedgebrook’s welcoming gates, and feeling the energy around me—the quiet and peace, yes, combined with the spirit of all the generous work and gifts left here from hundreds of women residents before me.

14 years later, on this teasingly sunny day, I remember the face of one of the playwrights who, after an amazing dinner of food prepared from the garden, rose to take her plate to the sink, and was told by the chef, “Sit down, you are here to be a writer. Let us take care of that.” The writer’s face froze in mid-reaction, mouth open, eyes beginning to well up with tears. That image remains with me: a poignant example of what it means for a woman to be given the gift of nurturance, space and time.      (more…)

Women Authoring Change

Monday, April 4th, 2011

After attending Hedgebrook’s inaugural Master Class, I was inspired to contribute to the Board of Directors, joining others in furthering Hedgebrook’s mission.

“Hedgebrook supports visionary women writers whose stories and ideas shape our culture now and for generations to come.”

This mission has personal meaning for me. Just two generations before, 人人 (Ngin Ngin, meaning paternal grandmother) in our Toisanese dialect of Chinese, came to America as Tow Yee Moo (wife of Tow Yee). She started her American life in Seattle’s Chinatown in 1921, where she died in 1981. During her life, she never felt safe to tell her story to any of her family. However, because of her trek during uncertain times, she changed the direction of future generations, and I was now benefitting, having been granted an opportunity to sit at the Hedgebrook table and write stories of growing up in Chinatown.

During my Master Class experience, I was touched by the fairies in the circle of their mushroom rings. I was astounded by the depths of the women I met. My sanctuary became the worn wooden bench, set inside a fairy ring, where the sun rose beyond the cattails. A dancing fire snapped its fingers in the wood burning stove and kept my toes warm and my body fed. The pressure of a midnight silence was so deep and still that my head felt as if it might explode. (more…)