Join Us in the Hedgebrook Garden


Posted on May 23rd, 2013 by Cathy Bruemmer

 

Nan, Cathy, Katie, Victoria and Heather at the May alum work party.

Nan, Cathy, Katie, Victoria and Heather at the May alum work party.

During our 25th year we are tending the land with an effort to start our next 25 in good shape. I’ve invited women who have been to Hedgebrook to write to join me for second Saturday work parties. We’re putting in some time to clean up around the cottages, and then gathering for lunch.
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VORTEXT 2013: The Second Gathering


Posted on May 16th, 2013 by Amy Wheeler

In a couple of weeks, Hedgebrook’s second Vortext Salon for women writers will take place on Whidbey Island: three extraordinary days of workshops and conversation, in a beautiful setting, led by six renowned writers and teachers: Dorothy Allison, Karen Joy Fowler, Elizabeth George, Jane Hamilton, Ruth Ozeki and Gail Tsukiyama.

 

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Gushing About Hedgebrook Like There’s No Tomorrow


Posted on May 2nd, 2013 by Anca Szilagyi

Upon turning in to Hedgebrook, we (a poet, a playwright, and a fiction writer carpooling from Seattle) crowed at its green loveliness. A scent of wood smoke wafted out of the longhouse. And, inside, an abundance of welcome, and bagels so good I almost cried.  Outside, I met with my first workshop, “The Funny Bone is an Erogenous Zone,” with Jennifer D. Munro. On the walk to the cottage, Jennifer pointed out a bench with a view of Mt. Rainier, and my poet-car-sharer Elissa pointed out a heap of lavender in a rusting wheel barrow. It was almost too perfect. Read the rest of this entry »

On Pinkie


Posted on April 23rd, 2013 by Jennifer Munro

Jennifer D. Munro discusses the genesis of the short story “Pinkie,” which was included in The Best of Best American Erotica, 15th Anniversary Edition, a collection of editor Susie Bright’s favorite stories from the annual anthology’s fifteen years.

  

I got stuck at dinner a few years ago with a friend’s pal whom I didn’t know. Our mutual friend never showed up. The conversation turned to erotica. Friends are fascinated that I write erotic stories. I live in a suburb, work in a cubicle, and keep my butt-crack covered, so apparently I don’t fit their Anais Nin image.

I mentioned to my new acquaintance that I’m not interested in writing about perfect bodies and gymnastic sex, since that’s not my reality. Forget Erica Jong’s famous Zipless F&ck; most days I’m happy if I can zip up my jeans.

She seemed surprised at my reality—she was currently having marathon sex in every possible position with a beautiful, well-endowed man. (Shortly after our dinner, she was checked into a psychiatric clinic with a severe mental illness. Don’t ask me what the moral is there.)

At dinner that night she shrugged, yawned, and said, “Well, why don’t you write a story about a man with a really small dick?”

So I did. To me, the idea was far more intriguing than to write about the amazing fornication that she was describing.

I’m as fond of Pinkie as the day he introduced himself to me. Once he plunked his glorious derriere down at my desk and started to talk, I became fascinated with the problem of a woman’s prejudices against him. I’ve written a lot about female bodies that don’t cooperate, but I hadn’t yet written about a man’s biological challenges. I enjoyed turning the tables.

Although many of my short stories are inspired by real events in my life, Pinkie’s pure fiction, but he’s confirmation that any writer in a relationship needs her partner to be understanding, to have a sense of humor, and to have a strong sense of self. My husband’s a good sport about the heat he takes over this story and others that I’ve published. Neighbors ask him at barbecues about his pubic hair and penis size. Everyone assumes that we’re screwing all the time, but usually I’m telling him to be quiet so I can write.

I’ve never thought of myself as an erotica writer. I’m a writer, period. To limit myself within a genre would feel as restrictive as not writing about sex in general fiction or essays. I simply write about relationships, and to exclude the sex that is intrinsic to most “romantic” relationships would feel false. I adore my characters. I fall in love with all of them and suffer empty-nest depression when they’ve gone off into the world on their own. I celebrate their ability to flounder through life with flawed bodies and challenging relationships, like we all do. Generally they do it with a lot more wit and grace than I manage.

 

 

Munro_JDJennifer D. Munro’s stories have appeared in two editions of Best American Erotica; Best Women’s Erotica; six editions of Mammoth Book of Best New Erotica; and many other publications. Her personal essays have appeared in Salon.com; Brain, Child (for which she received a Pushcart nomination); and anthologies such as The Bigger the Better the Tighter the Sweater: 21 Funny Women on Beauty and Body Image. Her humorous stories about sex and the sexes are collected in The Erotica Writer’s Husband. She is a freelance editor and a Hedgebrook alum who has taught writing classes for Hugo House Literary Arts Center, King County Library, and the Edmonds Writers Conference. She blogs at StraightNoChaserMom.com Website: JenniferDMunro.com

Jennifer is teaching “The Funny Bone is an Erogenous Zone” at our Spring Salon, Saturday April 27. Register now!

 

Hedgebrook supports visionary women writers whose stories and ideas shape our culture now and for generations to come. The opinions expressed here are not necessarily representative of the opinions of Hedgebrook, its staff or board members.

Fragments Based on Fragments by Sappho


Posted on April 18th, 2013 by Judith Walcutt
Original Sappho fragment in Greek

Original Sappho fragment in Greek

 

 

 

 

 

 

 

 

 

 

 

 

Fragments of Sappho translations

Fragments of Sappho translations

 

 

 

 

 

 

 

 

 

 

 

 

Fragments Based on Fragments by Sappho

By Writers at Hedgebrook’s Raise the Roof Party at Town Hall, Seattle, 2013

Assembled and interpreted by Judith Walcutt

 

Yet, I am not

Minded Deathless Aphro

beautiful moon glittering, shines on earth

horsemen

Glittering mouths become light

a clear honest truth

as strong as a full,

pounding, red, red, rose

 

come from heaven

wrapped in a purple

cloak

I spoke to you, Aphrodite, in a dream…

Mad for you, mad for me;

mad for my mind, filled with longing

 

Prefer those who are wearing flowers

Emptiness. There are no words

love is consideration

moon is down

 

beautiful things

reddening high on the branch

lament for us

Honeybees devour wasps

 

“I cannot work the loom” warp or weft—I am

threadless

A naked body; in love or regret

A daughter, golden and beautiful

My love, I would not trade all the riches in the world for you.

with a voice of longing, she sang the amens louder than

 

burned with longing

I might not be a reliable

narrator of my own life

The mermaids, swimming beneath the waves, draw water

deep into their lungs and exhale satisfaction.

 

Stepping sweetly, urged on by your eyes

 

Mountain hyacinth

…but you have forgotten me…

prefer those who are wearing flowers

Shepard

Remember, we did many

 

She runs, she refuses, she loves

without her daughter

But come with your heart open

you are holy because

you are you

Dear moth

Lovely brought you

Molten

Mountain hyacinth

 

Come to win you

Be here, by

Lady Hera,

Help in lovely handfuls, here supplied,

To dare with or to leave behind.

Come to Yanwi            ,             ACDC

 

They gain there,   and  ,   and

Come Glorious Hera

Be here Lovely Lady

Help me answer you

 

The apple branches, cold

Honeysuckle cups

mixed with a festive joy

Here, Cyprian, delicately

 

 

He is somewhat dying

A purple flower found, one loom for a slender boy

Thyone’s Crete where the grove

black earth snares, long to win…

 

Not forgotten, but one they

Couldn’t reach…

Longing

And I’m an inch from dying

My legs, fleet as fawns

Grieve the dance

 

 

Human can or not, I never know

What today will bring me—nouns or verbs.